Ege is a Berlin-based artist working across painting, drawing, sculpture, and installation. His practice is a search for meaning in what is missing. It consists of two distinct bodies of work: fabric sculptures and installations exploring memory and identity, and oil paintings that contemplate how meaning is constructed through images.

His sculptures begin with impressions of the human body cast in fabric. He tears, folds, distorts, and reassembles these fragments into new forms. The work explores memory as a lingering presence rather than an objective recollection. Fragmented bodies recur throughout the series, brought together into uneasy unions.

His paintings explore how we make sense of images. Rooted in architectural representation and influenced by the iconography of temples, churches, mosques, museums, and other spaces of meaning, they investigate how images and geometric forms come to carry significance. Recurring shapes become characters, while their relationships and compositions suggest narratives. The paintings can be understood as a kind of infantile symbolic language.

Across both bodies of work, making becomes a form of contemplation. He works spontaneously, allowing meaning to emerge through the process rather than beginning with a fixed interpretation. Meaning remains volatile—continually assembled, distorted, and transformed.